Sublimation: Equipment Needed

Article originally appeared on the website for P&I News, June 2000.
Written by John McDaniel.
Reprinted with permission of the Graphic Products Association.

This article mentions how Wes Hoekstra, the inventor of the Incredible Machine, was involved decades ago in making machines of incredible speed and resolution.


John McDaniel


This time we’ll begin looking at sublimation and the equipment required for the process. 

Sublimation as a process
        Almost two years ago we looked at sublimation as a possible addition to our product offerings.  At that time we judged sublimated images as lacking durability.  This judgment was based on our experience with inkjet-sublimated cups that we tested in our dishwasher.  What we’ve found since then is that raw material coating is very important.

        True sublimation is a process where images are transferred using a dye from a printed “transfer” to a variety of materials by heat.  Other types of transfers, using wax or normal inkjet inks, are sometimes confused with sublimation because they can also be used to transfer images to some materials using heat. However, true sublimation is a dying process that works best on synthetic materials.

        Since sublimation dyes work on synthetic materials, they will work on synthetic fabrics and hard-goods that have been coated with a sublimation-receptive coating.  They will not dye ceramic cups or tiles, metal, plastic, or wood that doesn’t have a receptive coating.

        What we didn’t know when we made our initial evaluation, is that there are at least two different types of coatings for hard goods, soft and hard.  Soft-coatings sublimate quickly, but have little resistance to harsh environments, like dishwashers.  If the coating is washed away, the image goes with it.  Hard coatings take more heat and time to sublimate, but are much more resistant to abrasive environments.

        The soft-coated cups we tested that were inkjet sublimated lasted only 3 months in normal use in a dishwasher.   We later had the opportunity to test hard-coated inkjet sublimated cups and found no deterioration in the image after more than a year of dishwasher use.

        Sublimation inks are solids that, when heated, bypass the liquid stage.  They go directly from a solid to a gas.  It’s this gas, which dyes the material.  To sublimate a substrate, you first print a transfer. The transfer contains the sublimation solids. The transfer is then heated, while being pressed against the material to be dyed.  It’s important to realize that sublimation inks are not liquid, they may be suspended in a liquid to allow them to flow through an inkjet printer, for example. However, the business part of the ink, is in fact a solid.

History of sublimation    
       Sublimation has been with us for quite some time.  In the early computer years, circa 1970s, special ribbons impregnated with sublimation particles were used with dot matrix impact printers to create monochrome transfers.  The first computer output sublimation system was developed in the mid ‘70s by Wes Hoekstra as an application of his image processing work with the Jet Propulsion Lab in Pasadena, California.  Wes has been credited with being the “father” of the computer image sublimation industry.  Later, he went on to apply his image processing knowledge to the development of the Incredible Machine rotary engraving system, which we currently use in our shop.

        When electrostatic printing became affordable in copying machines and laser printers, it wasn’t long before toner cartridges containing sublimation solids appeared on the market.  This equipment is normally used to create single color or limited color transfers.  Recent innovations in color copiers and laser printers, have permitted the creation of full color transfers using this method. 

        Another method that has been around for a while, and is quite economical, is printing transfers using offset presses and special inks.  This method lends itself to large full-color runs and has been successfully competing with screen-printing in the ad specialty market where full-color images are required. 

        Within the last few years, sublimation inks have become available for inkjet printers. Using a relatively inexpensive printer you can now produce full-color transfers.  In addition, many companies are now producing coated hard-good products for sublimation.  This is where the greatest promise lies for the personalization store, and is the area we’ll be exploring.
      Next time, we'll continue our exploration of sublimation.

John McDaniel is the owner of JHM Marketing in Albany, OR, a supplier of engraving software and services as well as system integration and training. With his wife Judy, he also owns and operates Moments Remembered, a retail personalized gift shop in Sisters and Albany, OR. He is a regular columnist for Graphics Pro magazine and others, focusing on hardware design, software reviews, sublimation, laser engraving, and sandblasting from a user’s view. He can be reached at 541-967-4271, or email to jhmcdaniel@earthlink.net.  

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